{"id":137,"date":"2017-10-14T16:07:33","date_gmt":"2017-10-14T16:07:33","guid":{"rendered":"http:\/\/josephvasinda.com\/?p=137"},"modified":"2023-03-12T21:54:27","modified_gmt":"2023-03-12T21:54:27","slug":"lappel-du-vide-for-oboe-with-accompaniment","status":"publish","type":"post","link":"https:\/\/josephvasinda.com\/index.php\/2017\/10\/14\/lappel-du-vide-for-oboe-with-accompaniment\/","title":{"rendered":"L&#8217;appel du Vide &#8211; for oboe with accompaniment"},"content":{"rendered":"\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/josephvasinda.com\/wp-content\/uploads\/2019\/02\/02 Lappel du Vide.wav\"><\/audio><figcaption>L&#8217;appel du Vide<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>L&#8217;appel&nbsp;du&nbsp;Vide&nbsp;<\/em>was written for solo oboe with no one in particular in mind to play it. I was in the process of trying to understand each instrument a little better, and so I was writing pieces for many different wind instruments, hoping to get them <g class=\"gr_ gr_11 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling\" id=\"11\" data-gr-id=\"11\">played<\/g> at some point or another. The overall piece is a theme and variations which uses a set of four chromatic tones (0167) in its prime, inversion, retrograde, and inversion retrograde forms along with many different transpositions. The title refers to the call of the void: that feeling that tells us to jump when we stand somewhere very high. At the time of writing the piece, I had not gotten into writing atonal music yet, and this piece was a response to my call of the void: to leap into music that explores traditional harmony less and focuses on parameters of articulation, style, and form.<br><em>Performed&nbsp;by&nbsp;Madeline&nbsp;Kerkemeyer<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;appel&nbsp;du&nbsp;Vide&nbsp;was written for solo oboe with no one in particular in mind to play it. I was in the process of trying to understand each instrument a little better, and so I was writing pieces for many different wind instruments, hoping to get them played at some point or another. The overall piece is a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"saved_in_kubio":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8],"tags":[16,13,14,17,15],"class_list":["post-137","post","type-post","status-publish","format-standard","hentry","category-discography","tag-atonal","tag-oboe","tag-set-theory","tag-solo","tag-theme-and-variations"],"_links":{"self":[{"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/posts\/137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/comments?post=137"}],"version-history":[{"count":3,"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/posts\/137\/revisions"}],"predecessor-version":[{"id":257,"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/posts\/137\/revisions\/257"}],"wp:attachment":[{"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/media?parent=137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/categories?post=137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/josephvasinda.com\/index.php\/wp-json\/wp\/v2\/tags?post=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}